Golden Shovel After Renée Nicole Good
Kimberly Gibson-Tran
life is merely to ovum and sperm and where those two meet
and how often and how well and what dies there.
— from “On Learning to Dissect Fetal Pigs”
here we are again dissecting life
after bullets. this time the life of a poet, and this poem is
what i am doing with my life today. already merely
yesterday's news. how many tomorrows? 4 AM i drove to
IHOP because it was open, stared at the splattered ovum
i ordered sunny side up in its piddle of yellow and
remembered biology, how when i learned the term sperm
i was already familiar with flagellation. i am a christian and
my religion is made by violence. i am supposed to know where
i’m going. turns out it’s hard, writing toward an end, those
sinews threading like they did inside my formaldehyde pig two
decades ago in high school. perhaps our hands meet
at the breastbone, cross at the cross-section, and
our faces contort in the altar’s black gloss, knowing how
many mistakes we will make on our body, how often
we will bend away sick, slick-gloved and
wishing we were somewhere else, questioning our futures. how
can it be, this pink-drained thing, the endless well
of it? the smell’s afterlife permeating lunch and history and
civics, and all of it we have to return to tomorrow is what
we will be thinking. if this story ever dies,
when time dissolves our mangled art—even, yes, partner, there.

Kimberly Gibson-Tran holds two degrees in linguistics and has recent writing in Salvation South, 2River, New Verse Review, The Bombay Literary Magazine, Baltimore Review, Passages North, and elsewhere. She was a finalist for the 2025 Rowayat Poetry Contest. Raised in Thailand, she now lives in North Dallas and is submitting her first manuscript: The Voyagers.